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Melissa Catanese – The LotteryA wild, insomniac cousin to her somnambulist classic Dive Dark Dream Slow (The Ice Plant, 2012), Melissa Cataneses The Lottery reads like a work of speculative fiction: a glimpse into an anxious human civilisation suspended between uncertain futures and the aftermath of its distant and recent past. Seamlessly combining her own recent photographs with anonymous vernacular photos, press images, and NASA archival imagery, Cataneses intuitive editing re

Pleonasm and Scott Mendes's Venice

professor and art curator

a landscape

Expanding on this central focus is a series of conversations between Trinh and film and sound scholars Patricia Alvarez Astacio and Benjamín Schultz-Figueroa

slowing time to a crawl as he interweaves actions

Sebastian Stadler’s book work A Close Up of a Large Rock

Hagenaars discusses the possible ways a person can ‘live on’ and the context of this commemoration

This book presents the first semi-abstract and monochromatic drawings and witnesses their slow transformation into psychedelic

Democ[k]racy project

New Zealand

these texts complement and expand on the script for the film What has left since we left – directed by Giulio Squillacciotti and written with Daan Milius and Huib Haye van der Werf – which fictionalises the current European dystopia by re-enacting and problematising the rituals of kinship and relational struggles

observing people as they moved in and around the iconic entrance and out onto the streets

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