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Hans Segers ‘Images Trouvées’Hans Segers examines the formal properties of a painting. He emphasises how a painting is only a representation and presents it as an imitation of reality, trompe loeil, painted object and elevated art object. References to painting and sculpture are never far away. He chooses a number of abstracted, recurring forms that evoke the thought of a cloud, tree trunk and house. They function as his image library from which he draws to refer to reality. In

Ensor and Picabia

Pieter Jennes is the creator of a highly unique oeuvre

Instead of an art that functions through strong and collective reference frames

With the support of the Flemish Government and the City of Ghent

which he then offers in its totality to the gaze of the spectator

The book HORAIZON is conceived as an encyclopaedia in which the work of the past 10-12 years is listed in lemmas

having just left his life in Lier and relocated his studio and archives to Antwerp

Yes like the discourse

All drawings were created ‘en plein air’ and drawn down in black ink in Moleskine notebooks

you feel connected to the object or image but the actual meaning or function no longer applies

transference

She does so starting from a personal point of view