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Description

Holding the Camera'How one tilts the camera, holds it with both hands in front of the waist. How one looks through the viewfinder, gazes one eyed into the world. How one hides it in stockings, behind the back, and how one lets it peep out from behind the corner of a building, as though it were a detective. Holding the Camera shows a pictorial genre from the now extinct era of analogue photography. Like the dinosaurs, supposedly the victims of a violent meteorite

Tsuyoshi Tane

wanders around through the area

processed though reconfigured scanner as site actions

Mekas developed a form of film diary in which he recorded his daily observations

But the sacred part of him

memories and lived experiences into a powerful voice that was an undeniable presence in the New York City art scene of the 1970s

Over the decades

the alert reader can follow a clerk of 'The Land of Sculptures' whilst he encounters the pretty faces of 'The Painter'

and works within its contested spatiality

Plastic is a densely loaded material and concept

light and obscurity

Enamoured of decorative ornament

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