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Adél Koleszár – Only Have FaithAdl Koleszrs Only Have Faith explores the violence that has plagued Mexico over the past two decades, contextualizing it within the broader role of photography in representing and perpetuating terror. The so called war on drugs, initiated in 2008 and funded by the U. S., destabilises communities to control resources, migration, and territories, leaving the population vulnerable. Mainstream media sensationalised violence for profit, turning

Elisabetta Barberio

post-reunification experiences

Since the early 1990s

seasoned by occasional unexpected

Tel Aviv and Hong Kong over the past few years

Human figures are shown in what appear to be opposing contexts: as the heroic subjects of artistic representation and touristic contemplation at the Vienna Museum of Fine Arts

From my fixed position I’m invisible

Jenna Rain Warwick

before the model eventually grew furious from being ignored (abandoned) by the computer operator

he began creating the incredible comic panel layout paintings posthumously collected in the book Moon Trax

Joiri Minaya remixes postcards from the Dominican Republic to unveil the fantasy of tourism

It pushes a truly liberal-minded exchange

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