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SAHEB SARBIB - Evil Season LPThe bass, that metronome that marks the time for musicians of every style, of every era, that secluded, silent, but essential character for a band. Without the bass, the music would be deflated, the heart notes would leave a wasteland of rowdy high frequencies without any rules. But bass players who have character can elevate those low frequencies and even make them loud at times. Who knows if free jazz, if we want to call it that, is exalted by the

using state-of-the-art tools

The newest comrade

fatalistic sentiments echo throughout

supergroup God’s Children

I was trying to get a vibe like some of the great jazz recordings from the 70s when they actually used to play good jazz on commercial radio and people dug it

By this time they were just turning 18 and finally found the freedom to make the music they’d had in their heads

GYBE has gradually distilled this new work down to a fastidious and uncompromising essence in the studio

Few tracks show him as a „hot“ picker

Written and recorded in my home during a series of cold Canadian winter nights

optimistic yawps of playful abandon for all ages

Both albums are low

and poetry he called music

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